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The Eyes of Hank Quinlan–Touch of Evil, 1958

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Hank Quinlan: Come on, read my future for me.
Tanya: You haven’t got any.
Hank Quinlan: What do you mean?
Tanya: Your future is all used up. –from Touch of Evil, 1958  (Hank was played by Orson Welles; Tanya, his once-upon-a-time squeeze, by Marlene Dietrich.)

http://parallax-view.org/wp-content/uploads/2008/10/touch-of-evil-quinlan1.jpg

This has been one of my all-time favorite films, though I don’t want to actually see the thing too often.  It is sharp as glass, with hardly any grays in sight, mostly oblique black and white, giving the film a very “removed” feeling, cold, isolating.  Orson of course is a magnificent beast, the enormous shell of a spent bully with virtually nothing left to move around except for his undulating fat and a sliver of power, wielding that jiggly memory with eyeballs so puffy and dead that I do not know to this day how he achieved that pus-y look.  His entrance into the film is remarkable–big black car door opens, and the gigantic Orson pulls himself out, his pig-bristle slough-eyed face way too close to the camera for comfort.

It is an odd movie, but just about every still you see from the thing is like a stand-apart photograph, a movie composed of 55,000 individual images.

http://www.moviezeal.com/wp-content/uploads/picture-2-300x256.png

 

Badge of evil The screenplay was written by Welles, though it may have been influenced by a novel by Whit Masterson (actually a pseudonym for another pseudonym, Wade Miller, which was the entity of Robert Wade and William Miller, which is entirely  too much rigorous hidenness for such a modest effort) called Badge of Evil (1956).  This doesn’t matter; the whole deal about the film is the brain behind the staging and filming, which belonged of course to Mr. Welles. 

 All I really wanted to do with this piece today was post a variety of Touch of Evil movie posters.  Here they are:

http://upload.wikimedia.org/wikipedia/en/f/fe/Touch_of_Evil_restored.jpeg

This isn’t the entrance I was talking about–can’t find it–but this view of Orson is pretty good (comes at about 3:30):

 

Touch-of-evil-movie-poster-

Touch-of-evil-movie-poster-1958 d
Touch-of-evil-movie-poster-1958

Touch-of-evil-movie-poster-1958-
Touch-of-evil-movie-poster-1958-g
Schwartz: Well, Hank was a great detective all right.
Tanya: And a lousy cop.
Schwartz: Is that all you have to say for him?
Tanya: He was some kind of a man. What does it matter what you say about people?

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