A Daily History of Holes, Dots, Lines, Science, History, Math, Physics, Art, the Unintentional Absurd, Architecture, Maps, Data Visualization, Blank and Missing Things, and so on. |1.6 million words, 7500 images, 4.9 million hits| Press & appearances in The Times, Le Figaro, Mensa, The Economist, The Guardian, Discovery News, Slate, Le Monde, Sci American Blogs, Le Pont, and many other places… 5000+ total posts since 2008.

Category: Perspective

  • Unusual Shading/Shadows (1866)

    JF Ptak Science Books  Quick Post

    I’ve made a number of entries on this blog of beautiful/odd shadow practices in antique mechanical and technical drawings, though not so for a while. Today’s entry comes from a stout volume of Engineering (volume 2) 0.for 1866 and comes in an illustration for the U.S. Navy torpedo boat, the Spuyten Duyvil. The boat’s name seems like a bit difficult to maneuver, except if you’re Dutch, though it is far-better sounding than the original name, which was Stromboli.  In any event this was a torpedo boat that saw a little bit of service right at the end of the Civil War–mostly on the James River in Virginia, it seems–and was a torpedo boat. (The “torpedo” at this time was more like a mine than a powered underwater “missile” that we’d think of in these terms today.)  The chief attraction for me for these images though is a bit wholly unnecessary to understanding the boat or its workings, and that’s the shadowing for the exhaust stacks, which to me seem a little unusual, though quite lovely. And so the sharing…

    ENgineer 1866_2_


  • On Displays of Humor, Joke-Making, and Shame in Dogs (1875)

    JF Ptak Science Books  Quick Post  

    George J. Romanes1, “Sense of Humour and Reason in Animals” (from Nature, volume 12, 1875, p 66) [With a few added annotations]

    “IN the recently published edition of the Descent of Man there is some additional matter concerning the above subjects, and as the following illustrative cases fell under my own observation, I think it is worth while to publish them as supplementary to those adduced by Mr. Darwin.

    Several years ago I used to watch carefully the young Orang Outang at the Zoological Gardens, and I am quite sure that she manifested a sense of the ludicrous. One example will suffice. Her feeding tin was of a somewhat peculiar shape, and when it was empty she used sometimes used invert it on her head. The tin then presented a comical resemblance to a bonnet, and as its wearer would generally favour the spectators with a broad grin at the lime of putting it on, she never failed to raise a laugh from them. Her success in this respect was evidently attended with no small gratification on her part.

    I once had a Skye terrier2 which, like all of his kind, was very intelligent. When in good humour he had several tricks, which I know to have been self-taught, and the sole object of which was evidently to excite laughter. For instance, while lying upon one side and violently grinning,* he would hold one leg in his mouth. Under such circumstances nothing pleased him  much as having his joke duly appreciated, while if no notice was taken of him he would become sulky. On the oilier hand, nothing that could happen displeased him so much as being laughed at when he did not intend to be ridiculous.

    Mr. Darwin says:—’Several observers have stated that monkeys certainly dislike being laughed at’ (p. 71)3. There can be little or no doubt that this is true of monkeys; but I never knew of a really good case among dogs save this one, and here the signs of dislike were un-equivocal. To give one instance. He used to be very fond of catching flies upon the window-panes, and if ridiculed when un-successful, was evidently much annoyed. On one occasion, in order to see what he would do, I purposely laughed immoderately every time he failed. It so happened that lie did so several times in succession—partly, I believe, in consequence of my laughing—and eventually he became so distressed that he positively pretended  to catch the fly, going through all the appropriate actions with his lips and tongue, and afterwards rubbing the ground with his neck as if to kill the victim : he then looked up at me with a triumphant air of success. So well was the whole process simulated, that I should have been quite deceived, had I not seen that the fly was still upon the window. Accordingly I drew his attention to that fact, as well as to the absence of anything upon the floor; and when he saw that his hypocrisy had been detected, he slunk away under some furniture, evidently very much ashamed of himself.”

    Notes:

    Romanes (1848-1894) was an interesting man, an evolutionary biologist and physiologist, and one of the founders of comparative psychology who wrote broadly on the intelligence and emotions of animals and the connections of animal intelligence and that of humans. He also was the first to use the term of “anthropomorphism”. He was a good and life-long friend of Darwin, and spent the years between Darwin’s death (1882) and his own defending and arguing Darwin’s ideas.

    Skye Terrier. I had to look this up, so aI reproduce the info from the American Kennel Club: “Long, low, and level, this unique earthdog is among the AKC’s most distinctive-looking breeds. Skyes stand 9 or 10 inches high and feature a long, flat-lying coat and peekaboo hairdo. They’re known for big, feathery ears that stand up like bat wings, but Skyes can also have “drop ears,” which lie flat against the large, long head. Beneath the profuse coat are short, muscular legs and a deep chest. When seen in profile, these elegant but substantial terriers are twice as long as they are high.”

    Darwin, Charles. The Descent of Man, and Selection in Relation to Sex, first printed in 1871.

    The note in Nature says “p.71”, but actually appears on page 42. Page 70 begins the interesting second half of a chapter on “Comparison of the Mental Powers of Man and the Lower Animals  the difference in mental power between the highest ape and the lowest savage, immense…” which could have led to the confusion. In any event, the quote:

    “Most of the more complex emotions are common to the higher animals and ourselves. Every one has seen  how jealous a dog is of his master’s affection, if lavished on any other creature; and I have observed the same fact with monkeys. This shews that animals not only love, but have the desire to be loved. Animals manifestly feel emulation. They love approbation or praise; and a dog carrying a basket for his master exhibits in a high degree self-complacency or pride. There can, I think, be no doubt that a dog feels shame, as distinct from fear, and something very like modesty when begging too often for food. A great dog scorns the snarling of a little dog, and this may be called magnanimity. Several observers have stated that monkeys certainly dislike being laughed at; and they sometimes invent imaginary offences. In the Zoological Gardens I saw a baboon who always got into a furious rage when his keeper took out a letter or book and read it aloud to him; and his rage was so violent that, as I witnessed on one occasion, he bit his own leg till the blood flowed.”

    ·Posted by :

    ·in:

    — —

  • You-Are-There View from Charleston Harbor, Fort Sumter, 1863

    JF Ptak Science Books   Quick Post

    Here’s an unusual and somewhat startling point of view from the Civil War–the target of Fort Sumter, Charleston Harbor, South Carolina, (probably for the attack of 7 April 1863).  I assume that this was first published in Harper’s Weekly, though my copy is found in The Soldier in Our Civil War, Volume II, page 173, (1878) which is spilling over with reprints from Harper’s.  There wasn’t very much of Ironclad Weehawken that was above the water, most of its 200′ and crew of about 70 being below the water line. This view is from an observation port on the turret of the ship, and  it looks like you’re looking down a well because the iron armor of the turret was 11″ thick.  The first attack that the Weehawken participated in was in April, 1863, though that was a pretty distinct failure; after repairs, the ship was in the Charleston theater for pretty much the rest of its career, which lasted until December 1864, when she sunk from what seems to be a problem developed by being overloaded with heavy ordnance. In any event, it is a very interesting you-are-there perspective, rare in my experience.

    Charleston Harbor Weehaken

     

    ·Posted by :

    ·in:

    — —

  • A Singular Cloud of 1817

    JF Ptak Science Books  Quick Post

    Grazing a volume of the Annals of Philosophy1 for 1817, looking for a significant bit of this and/or that, I found this wonderful reference to a singular cloud. (This by the way comes on the heels of a post from a  few days ago about another sort of singular cloud phenomena–this one by the great chemist Michael Faraday, and his very early description of cloud shadows, in 1827.)  This article is by Thomas L. Dick and is called “Account of different Currents of Wind observed at the Same Time”, (with an engraved plate), on pp 16-17 of the volume, a short but very present effort. Dick offers an interesting and somewhat poetical, somewhat awe-inspired, description of different air currents  working their influence on a single column of smoke. He observed, “I was very much struck with a beautiful, and very singular manifestation, of the existence of opposite currents of wind at different altitudes…”  The smoke source came from burning a common bush found throughout the plains of England: “Some furze  on an eminence, at several miles distance, had been set on fire” he continued, describing how the plume rose to a height and then was blown in one direction; then, on rising, it encountered another current, and was blown the opposite way, suggesting an experiment to determine what was going on at various stages of the atmosphere. This was pretty early stuff on the technical treatment of clouds as well as the depth of the ocean of air of our atmosphere.

    Cloud going in two directions  1817

    There are many other interesting contributions to this volume, including, for example J. Dewar, “Method of preserving Volitile and Deliquescent Substances”, pp 29-31 (not of course the more-famous James Dewar of the late 19th c); John Dalton, “Appendix to the Essay on Chemical Compounds of Azote and Oxygen”, pp 38-47 and concluded on pp 83-93;”On sailing to the North Pole”, (page 63); M.P.. Moyle, “Description of a Machine for raising heavy weights, called a Jack”, pp 65-6 (including a small vignette on plate four); J. Campbell, “On Vision”, pp 17-29;  Luke Howard, “A Descending Spout on Land”, pp 146-7 (the great cloud classifier has this short entry on a peculiar cloud formation);  H. Edmonton, ” Mode of exploring the interior of Africa”, pp 103-112; and a short book review of the great Cuvier’s “Le Regne Animal Distribute d’apres son Organisation & c.” (4 volumes), published in 1817, pp 127-129, plus many other articles.

    Notes:

    1. Annals of philosophy, natural history, chemistry, literature, agriculture, and the mechanical and fine arts, edited by Thomas Thomson, printed in London for Baldwin, Craddock, and Joy, 1817; volume X, July to December, 1817. Vii, (ii), 479pp, 8 engraved plates (half folding). Provenance: R. Crum Brown for the University Library of Edinburgh, with their bookplate. 

    ·Posted by :

    ·in:


  • Picturing What a Nightmare Looks Like Outside Itself (1878)

    JF Ptak Science Books   Post 2650

    In my career of looking-at-things it is becoming an easier job to recognize something that is out of place, or uncommon, or wrong–far more so I think than the opposite, because the “expected” happens to be expected, and so fits right into place, somewhere.  So it came to be that this cartoon featuring the depiction of an anthropomorphic nightmare stood out so clearly and oddly. It is the work of James Francis Sullivan (and published in 1878 in a volume of his darkly humorous single-page six-ten panel cartoons ungainly titled The British Working Man by one who does Not Believe in Him, and other Sketches) and in my experience is a very early depiction of the nightmare itself as a corporeal thing. There have been untold numbers of depictions of the contents of nightmares in literature and art and such, but I’m having a hard time of picturing another source that would stand as a dictionary illustration of what a nightmare looks like devoid of its content. 

    Nightmare803

    I checked in with the Oxford English Dictionary and found to my surprise that the nightmare started out at some point in English to be a “female spirit or monster”–it was not surprising to see the definitions stretching back to Chaucer and earlier1. Next stop was the cataloging and reference tool WorldCat, where I searched for the appearance of “nightmare” in the title of a book and found nothing (seemingly) published so until John Bond’s  An essay on the incubus, or nightmare, in 1753. This is just a casual search, and nothing very scientific, but at least at this level there isn’t much to see, perhaps six titles only until 1800, after which the use of the word grows. In contrast, titles appearing using the word “dream” are a solid+ order of magnitude beyond “nightmare’. 

    Nightmares and dreams abound everywhere but in the titles of books, and sometimes actually lead to a chain of events in the waking world.  Ramanujan famously dreamed mathematical dreams (in addition to hearing solutions to massively complex problems from “angels” in a waking state); R.L. Stevenson dreamed the premise for Mr. Hyde; Socrates used the medium (dreampt or not); Mary Wollstoncraft nightmare lead to her big nightmare book, and so on, on and on, into the dream/nightmare-filled night.  In my memory of such stories, though, the nightmare or dream never seems to have its own face, and that nothing exists beyond the contents of the thing beyond itself–this is what makes the nightmare-catcher story by Sullivan so unusual to me.  

    I don’t have anywhere to go with this, presently, beyond simply reporting it.

    In any event, the cartoon goes as follows: a travelling showman (already evidently entertaining people with a “talking turnip” and a “celebrated knowing badger”) resolved to capture a nightmare for his show. In that he mocks up a sleeping version of himself in his bed, and waits upon the nightmare, and when the nightmare makes his appearance the showman captures him with a broken drum. The nightmare is then put on display in the travelling show (also playing the “orgin” and firing a gun) for all to see for the cost of one penny. 

    This all happens on Christmas Eve–I can think of better stories than this to share on that or any night.  

    Nightmare802

    Notes:

    1. “Nightmare” from the OED:

     a. A female spirit or monster supposed to settle on and produce a feeling of suffocation in a sleeping person or animal. Also fig. Now rare.

    c1410  (▸c1390)    Chaucer Miller’s Tale (Cambr. Dd.4.24) (1902) 3485   Blisse this hous fri euery euyl wyght ffor the nyghtesmare [c1390 Hengwrt nyghtesuerye] the whȝt Pater noster.

    1440   Promptorium Parvulorum (Harl. 221) 356   Nyghte mare [v.r. Nyhtmare], Epialtes.

    1530   J. Palsgrave Lesclarcissement 248/1   Nightmare, goublin.

    1608   E. Topsell Hist. Serpents 173   The spirits of the night, called Incubi and Succubi, or else Night-mares.

    1696   J. Aubrey Misc. (1721) 147   It is to prevent the Night-Mare (viz.) the Hag, from riding their Horses.

    1770   T. Chatterton Compl. Wks. (1971) I. 211   The dethe-owle loude dothe synge, To the nyghte-mares as heie goe.

    1804   J. Collins Previous Apostrophe in Scripscrapologia p. x,   Let thy Pegasus then, spurn the Nightmare of Sloth, Nor by Day let her hag-ride thy Pen.

    1822   Shelley Prince Athanase in Posthumous Poems (1824) 110   Like an eyeless night-mare grief did sit Upon his being.

    1851   N. Hawthorne House of Seven Gables xvi. 270   So heavy and lumpish that we can liken him to nothing better than a defunct nightmare, which had perished..and left its flabby corpse on the breast of the tormented one.

    1886   R. L. Stevenson Kidnapped x. 92   There was that tightness on my chest that I could hardly breathe; the thought of the two men I had shot sat upon me like a nightmare.

     

     


  • Musical Realism and Ethnology, 1891

    JF Ptak Science Books   Post 3636

    I first came upon Jesse Walter Fewkes for his work on the U.S. Southwest pottery, and knew of some of his work casually–I did not know about his work with the phonograph until I bumped into this article in Nature for 1890. Evidently, Fewkes’  work, “On the Use if the Edison Phonograph in the Preservation of the Languages of the American Indians”, (in Nature, April 17, 1890, volume 41, #1068, p 560), was among the earliest (if not the earliest) reports on using a phonograph to record Native American songs and rituals. He reports on his use of the relatively new phonograph (14 years old now) to record music, folk tales, language and other aspects of the expressive culture of the Passamaquoddy Indians of Maine–this before heading to the Southwest to make recordings of the Zuni (in 1890) and Zuni (in 1891). 

    This is interesting no doubt because Fewkes offered the world proof of these societal sounds, an imprimatur on authenticity. This must have exploded or leaked into the rest of teh world like the involvement of photography in reporting the news. It was shown early on, during the U.S. Civil War, that engravings made after photographic images and identified so were believed more so in terms of authenticity than the artists rendering a scene “on the spot”. Then of course when Stephen Horgan’s halftone process was introduced and began to be widely-employed–at about the same time as this article, in fact–and would begin to replace hand-drawn images in newspapers and journals, and offer a new version of what was deemed “trustworthy” and “authentic”…until of course this new process came into question via photo manipulation and fraud. But for the time being, here in 1890, there was a new sense of the concept of “realism”, and I think that this doesn’t happen very often. 

    On the Use of the Edison Phonograph in the Preservation of the Languages of the American Indians.

    “THE present state of perfection of the Edison phonograph led me to attempt some experiments with it on our New England Indians as a means of preserving languages which are rapidly becoming extinct I accordingly made a visit to Calais Maine and was able through the kindness of Mrs W Wallace Brown to take upon the phonograph a collection of records illustrating the language folk lore songs and counting out rhymes of the Passamaquoddy Indians. My experiments met with complete success and I was able not only to take the records but also to take them so well that the Indians themselves recognized the voices of other members of the tribe who had spoken the day before. One of the most interesting records which was made was the song of the snake dance sung by Noel Josephs who is recognized by the Passamaquoddies as the best acquainted of all with this song of old time. He is always the leader in the dance and sang it in the same way as at its last celebration I also took upon the same wax cylinder on which the impressions are made his account of the dance including the invitation which precedes the ceremony. In addition to the song of the snake dance I obtained on the phonograph an interesting trade song and a Mohawk war song which is very old. Several other songs were recorded. Many very interesting old folk tales were also taken In some of these there occur ancient songs with archaic words imitation of the voices of animals old and young. An ordinary conversation between two Indians and a counting out rhyme are among the records made I found the schedules of the United States Bureau of Ethnology of great value in my work and adopted the method of giving Passamaquoddy and English words consecutively on the cylinders. The records were all numbered and the announcement of the subject made on each in English Some of the stories filled several cylinders but there was little difficulty in making the changes necessary to pass from one to the other and the Indians after some practice were able to make good records in the instrument. Thirty six cylinders were taken in all. One apiece is sufficient for most of the songs and for many of the short stories. The longest story taken was a folk tale which occupies nine cylinders about Podump and Pook jin Squiss the Black Cat and the Toad Woman which has never been published. In a detailed report of my work with the phonograph in preserving the Passamaquoddy language I hope to give a translation of this interesting story.”  [Source:  Google Books. I do own the original of this paper, should anyone want to purchase it…]

     

    ·Posted by :

    ·in:

    —

  • 115-Pages of Directions on How to (Possibly) Leave Manzanar (1944)

    JF Ptak Science Books   Post 2635
    WRA_1_732
    Just this morning I unearthed this interesting document: War Relocation Authority Handbook on Issuance of Leave for Departure from a Relocation Area October 10, 1944, which was basically a set of rules and regs on how an a Japanese person/”evacuee” could apply for dispensation for leaving the relocation center /internment camp. The language and organization of the document is dense, misleading, and labyrinthine, and spread wide and thin over 115 pages. It is in fact difficult to go from page one to the final page, as there is no real pagination that one can distinctly follow to get through the document in order–if you were to take the thing and toss it into the air and then try to put it back together again, it would not be a straightforward task. It is a confusing and seemingly-contradictory work bibliographically, at least if you were try to define it by its structure. Perhaps this speaks to the administration of the places that this document was trying to describe: there are numerous versions of the document issued over several years, some replacing parts of sections and other replacing entire sections though leaving in place sections contiguous to and within the new sections; the tiny sub-pagination at the bottom right of each sheet doesn’t necessarily follow from one page to another although the text does (for example, there is a page “C-109 2 p1 of 11 nubu-cos-pun-wp”; further, the pagination which is the most useful is the section/page designation at top right, however the numeration of sections and paragraphs in the actual text seems a little thick, starting sections as “.1” rather than “1” and the “.1 A.” rather than 1A or some such. In the end,  when I figured out that the document was actually complete, I was very surprised, because it hardly looked so while trying to follow pagination alone. 

    The War Relocation Authority was formed on March 18, 1942 via Executive Order 9102, following the Japanese attack on Pearl Harbor and the U.S. Entry into WWII, with Milton S. Eisenhower as the director. This was the action taken in the interests of national security resulting in rounding up and deporting to remote internal U.S. Destinations more than 125,000 people—mostly U.S. citizens—of Japanese heritage. The WRA was the consequence of the larger initiative, the Roosevelt administration’s Executive Order 9066 (19 February 1942), which was the legal bombshell that gave the War Department the authority to authorize the removal of the Japanese and theoretically prevent those people from engaging in sub rosa and fifth column activities as wartime terrorists fighting for Imperial Japan within the United States—and this effort concentrated mainly on the Pacific coast and West. For the greatest majority these people stayed in the “Relocation Centers” (routinely referred to as “internment centers” and “U.S. Concentration Camps” for the remainder of the war, and then some. The Japanese/internees were bused away from their homes and lives and businesses with extremely limited notice, and were forced to sell nearly all possessions (including lands and businesses) at what were less than fire-sale prices.  They were made to board buses and trains and were shipped to locations (mainly in California) where they were processed and sent further and deeper into the trying hinterlands of the West for their final destinations until the war was won.  (One of the processing centers was the Santa Anita racetrack, where thousands of Japanese were sent to live for periods in converted, just-painted horse stalls.)  After 3+ years and WWII won, the relocation centers were closed, with Tule Lake was the last (that once included Gila River, Granada, Heart Mountain, Jerome, Manzanar, Minidoka, Poston, Topaz,and the Rohwer War Relocation Centers) to close, though that didn’t take place until March 20, 1946, via Executive Order 9742, signed by President Harry S. Truman on June 26, 1946.

    Here is what seems to be a sample of what the interned Japanese would fill out and submit for leaving the internment camp:

    WRA_3_734

    The overall introduction to the document is signed (in the original, and then reproduced) by Dillon S. Myer, who was the Director and oversaw the WRA from 1942 until 1946; other sectional introductions in the document are signed similarly by Duncan Miller (who in 1945 was at the Colorado River Relocation Center at Poston, AZ), Malcolm Pitts (who was an executive administrator and who wrote Administrative Highlights of the WRA in 1945), E(?)D. Brooks, and Leland Barrows—all but Brooks are located as being “Executive Officers” of the WRA.

     From my reading this series of rules and regulations for the possibility of an “evacuee” to leave the relocation center is a Menkenian example of using 10 words where one word will do. The introduction is sufficient enough for a general reader to be able to guess at what is to come over the next 100+ pages:

    ·Posted by :

    ·in:

    — —

  • One of Earliest Looking-Down-Between-the-Legs Views of the Eiffel Tower, from an Aeroplane, 1909

    JF Ptak Science Books  Quick Post

    Flight eiffel tower

    “An Aviator’s-Eye View: a City Seen from an Aeroplane” is a wonderful composite image published in the Illustrated London News on October 30, 1909.  It represents the city from the point of view of the observer–in this case, the Comte de Lambert, who was the first person in France to receive flight instruction from Wilbur Wright, and who made what the New York Times referred to as “the most remarkable cross-country flight ever accomplished in an aeroplane1“. This was reported in the Times on October 19, 1909, when de Lambert  “left the Juvisy Aerodrome at 4:36 o’clock in a Wright machine, flew across Paris to the Eiffel Tower, circled it, and returned to his starting point, arriving safely at 5:25”, during which he reached a height of about 1300 feet. The you-are-there perspective is a very uncommon one in my experience, and now doubt this one must have given the readers of the ILN a queasy feeling of what flying looked like.  

    Notes:

    1. New York Times, October 19, 1909: “PARIS, Oct. 18. — The most remarkable cross-country flight ever accomplished in an aeroplane was made this afternoon by Count de Lambert. He left the Juvisy Aerodrome at 4:36 o’clock in a Wright machine, flew across Paris to the Eiffel Tower, circled it, and returned to his starting point, arriving safely at 5:25…”
    2. Fkight eiffel tower 1909

  • The Looking-Straight-Down Department: Smokestack Diners (1927)

    JF Ptak Science Books   Quick Post

    Over the last eight years I’ve posted a number of articles spotlighting unusual points of perspective, though the fact of the matter is that I never made a category for it, so they’re out there, floating around by themselves, though you can find them by entering “looking straight down” in the google search box at right. This one is particularly good, and displays a fine sense of humor and place (or “humace”).  

     

    Looking straight down smokestack658

    ·Posted by :

    ·in:


  • Neutrons, Positrons, & Hell–the Epic of the Fall of Man Suggested in the Physics of 1932

    JF Ptak Science Books   Post 2613

    Two days ago (or yesterday?) it seemed as if everything that I touched or read or researched involved the year 1932–and two of the blog posts were on things from that year. Over in the science bookstore side of what I do here, I was also working on the discovery of the positron by C.D. Anderson (announced in the Physical Review, and which showed that yes indeed there were things smaller than the atom)’ Chadwick’s discovery of the neutron, and Cockcroft1 and Walton’s splitting the lithium atom–all in that big year of 1932. And this all somehow put me in the mind of dots and circles, and then concentric circles, and then to Hell.  

    This was not the physical Hell of what was to come in 1945 and it wasn’t the future beckoning call of Armageddon that came as one of the results of decades of nuclear research–instead it was a stronger but make-believe Hell of infinite belief, brought to us via the development of numerous religions and then more beautifully described by Milton and Dante…and, in the case here, Caedmon.  

    Caedmon272

    All of this boils down to one picture that I had in mind when I was messing around with the 1932 stuff–the opening of the boundary of Hell into that of Chaos.  The image comes from a very early manuscript of Caedmon–who was a 7th century figure and the earliest English poet whose name is known. name is known–illustrating a part of the story of the fall of man. The image has stayed in the back of my mind for a long time, encountered in an interesting (and thickly spongey) book from 1896 by Stephen Gurteen (1840-1898) called The epic of the fall of man; a comparative study of Caedmon, Dante and Milton2. The striking picture is the third in the book (on page 108), though plenty of other images appear behind it through the course of the rest of the book, another 35 in all.  

    What we see is a circle within a circle, an atom of Hell, with Hell itself surrounded by Chaos, or the Abyss, and above this, there was Heaven, or the Empyrean; and in this case, an angel is reaching through the black surrounding region of Chaos and into Hell, where we see an example of the suffering of the mega-damned.  

    I know this isn’t quite a vision of an atomic model, but I associated it with our friends from 1932.  And yes there are other examples suggesting this structure springing from Dante and even Milton, but, really, it is just this one image that first comes to mind.  

    Notes:

    1. As it turns out in my experience John Cockcroft is a very rare photographic figure among physics Nobelists in that he is very frequently smiling in official photos. 

    2. Full text available here:  The epic of the fall of man; a comparative study of Caedmon, Dante and Milton, https://archive.org/details/epicoffallofmanc00gurtuoft   

    ·Posted by :

    ·in:

    —