JF Ptak Science Books Quick Post
Source: Punch, or the London Charivari, October 12, 1878
A Daily History of Holes, Dots, Lines, Science, History, Math, Physics, Art, the Unintentional Absurd, Architecture, Maps, Data Visualization, Blank and Missing Things, and so on. |1.6 million words, 7500 images, 4.9 million hits| Press & appearances in The Times, Le Figaro, Mensa, The Economist, The Guardian, Discovery News, Slate, Le Monde, Sci American Blogs, Le Pont, and many other places… 5000+ total posts since 2008.
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JF Ptak Science Books Quick Post
Look Out! (a WARNING ABOUT PROPAGANDA), Common Sense Talk. This was published by Men of America in 1939, and is a slight, six page publication.
Striking design! And a scarce little bugger!
JF Ptak Science Books Quick Post
The “coming event” here, as depicted in a satirical bent-future speculative cartoon by the ever-present Linley Sambourne (1844-1910) in the journal Punch in 1878, is electricity. The shadows cast by its own approach are many, and though we don’t have a pre-historic campfire, we do see candles, and a gaslight, and oil lamps, and plain matches, all sadly scurrying their paths away from the sharp War of the Worlds legs of electricity. An interesting bit here is that what is generally seen as the common capstone for the invention of the electric light–with the first practical incandescent light bulb–was achieved by Thomas Edison about a year after this graphic was published. There are numerous inventions of different sorts of electric lights prior to that which Sambourne is no doubt referencing, and he certainly knew enough of his recent history of technology to guarantee that his vision of the importance and standard of electricity for the future was absolutely correct.
Source for the idiom in the title:
Lochiel, Lochiel! beware of the day;
For, dark and despairing, my sight I may seal,
But man cannot cover what God will reveal.
‘Tis the sunset of life gives my mystical lore,
And coming events cast their shadows before.
I tell thee Culloden’s dread echoes shall ring
For the bloodhounds that bark for thy fugitive king.
–Thomas Campbell, (d. 1844) Loichiel’s Warning, (1802). .
JF Ptak Science Books Quick Post
I found this tiny photograph (nearly coverable by a U.S. quarter) quite some time ago, part of a collection of titles that I thought I would turn into an imaginary 19th century mug book, complete with biographies and crime chronologies. It hasn’t happened yet, though I do enjoy looking closely at this images, and their housing. This photo is a tintype–a process invented in the early 1850’s beginning life called melainotype and then ferrotype before coming to be called tintype–which I think was made in 1865-1875, and has a home-made mat that measures 2.5 x 4″ and with the photographic image 1 x 3/4″. While the image of the woman with her hat is interesting in itself, there is a certain distraction of interest in the mat, with its slightly uneven opening cuts and the remnants of the penciled guidelines. The photo is held in place against the mat by two pieces of advertisements–and truth be told I like that nearly as much as the photo on the other side. The Mona Lisa is what it is, of course, but the back of the Mona Lisa’s frame and backing is fascinating in itself.
JF Ptak Science Books Quick Post
This print is a part of The Growth of Industrial Art collection edited by Benjamin Butterworth (1837-1898) in 1888 (with a second edition published shortly afterwards in the Columbian year 1892). Butterworth compiled the work in his capacity as the Commissioner of Patents (he was also a former three-term Congressman), and he produced an encyclopedic and charming review of American industry and displays it in a series of 200 very busy but well-design images wood engravings. The many industrial product s depicted in this book include harrows, lawnmower, horse rakes, plows, baskets, screws, nails, telephones, gas engines, advertising implements, mining equipment,ice elevators, projectiles, bale tighteners, musical instruments, cigars, bicycles, egg carriers, and many others, with many of the industries now lost to modernity or cheaper overseas labor. My favorites in the collection, I think, are the nails and screws (shown below), mostly for their design and placement as well as their variety.
There is a very appealing display of the full text available at Smithsonian Institution, here: http://library.si.edu/digital-library/book/growthindustria00unit
And of course:
JF Ptak Science Books Quick Post
The difference between first and third class in an elevated train seems to be (1) a chair with arms, (2) a taller hat, and (3) a big moustache. Undoubtedly, there were actual creature comforts, though I suspect first class was meant to accommodate first-class people who would prefer not to be with not-first-class people, and enjoy the extension of that privilege in a comfortable seat.
What attracts me to this image is the way it rubs up against the accoutrements of modernity, looking like a piece of surrealist art. Since the image was printed in 1876 this would be “found-Surrealist art” as the existence of non-representational art was still 35 years away and the man who basically created the Surreal movement in NYC in 1924–Andre Breton–wouldn’t be born for another 20 years. In any event, this is what this looks like to me, a piece of unintentional, out-of-context art with no contemporary name.
[Source, above and below: Scientific American, February 8, 1876. The image above is a cross section of the image below.]