A Daily History of Holes, Dots, Lines, Science, History, Math, Physics, Art, the Unintentional Absurd, Architecture, Maps, Data Visualization, Blank and Missing Things, and so on. |1.6 million words, 7500 images, 4.9 million hits| Press & appearances in The Times, Le Figaro, Mensa, The Economist, The Guardian, Discovery News, Slate, Le Monde, Sci American Blogs, Le Pont, and many other places… 5000+ total posts since 2008.

Author: JF Ptak

  • Telephone Pole Art

    JF Ptak Science Books LLC  Post 417
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    One of my interests over the years has been the found art in electrical lines on telephone poles.  But there’s really much more to appreciate in these simple utility structures than the stuff they support.  My friend and fellow Ashevillean Marty Weil, who among other things runs the wonderful and never-lacking-a-surprise Ephemera blogsite, says that “telephone poles are dripping with ephemera”, the extra, disposable stuff seemingly unrelated to their stated purpose. He’s right: climbing spikes, the beautiful antiquarian glass insulators, alpha-numeric identifying devices, unintended art leftovers from where things have been stapled/nailed/taped to them,  and of course the geometries of the electrical lines that connect them to us, and on and on.

    This pamphlet, left, unimaginatively titled Property Marking Systems for Public Utilities (1938), is a near-goldmine for the stuff that hasn’t quite dripped off the poles.  As a matter of fact, it is a source for all of the material that is likely never to come off the poles until the poles come down. These are the basic elements from which all of that  numerical and alphabetical found art is made.

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  • Queen of the Nudists and Nude Oddness in Chicago, 1933

    JF Ptak Science Books LLC  Post 416

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    It isn’t often that you run across the sobriquet of “Queen of the Nudists”, as was the case with Ruth Cubitt, but here it is, in the handbook of the Official Souvenir of the San Diego International Exposition for 1936.  The mention of Ms. Cubitt (“an artist at heart”) is tucked away towards the end of the handbook, right after the entry for the new Globe Theatre, in the description of Zoro Gardens.  We are told that “the famous Nudist Colony” is “near the east gate if the Exposition” and (oddly put) “in a rarely beautiful setting [sic]” and,  I’m guessing, that it was actually outside the fairgrounds.  I’m unsure of the connection between the nudists and the exposition, but at th every least the description was added for titilation purposes. 

    A few years earlier and half-way across the country in Chicago was the famous Century of Progress Exposition (1933-1934). (I have written about a pamphlet pointing out the not-so-progressive aspect of the celebration HERE.).  In

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    this official program are listed all of the groups of exhibitions,
    including The Midway (pictured here), showing different sorts of rides
    and thrills.  For some reason at the center of it all is a pavilion
    called “Miss America”, featuring a weird/creepy, Barbie-like,
    completely nude and depilated “Miss America”.  Why this figure was on
    display is unknown, the reasons puzzling and, with my eyes,
    incomprehensible–she expresses a little bit of modesty with one hand 
    while the other hangs limply at her side.  Why the fundamental
    full-frontal nudity was necessary, I don’t know.


  • Unusual and Proto-Useless Statistics Dept: Travel Deaths, 1880 vs. 2006. An Orders of Magnitude(s) Story

    JF Ptak Science Books LLC  Post 415

    Searching for something entirely unrelated to what I found (trying to answer how straight railway tracks were  in Texas in 1880*) but happy with the stumbling is this header for a long list of railway deaths on American railroads in the year 1880.  It appears in on page 280, part VIII, volume 13, part 4 of the U.S. House Miscellaneous Documents No. 42, part 4, volume 2132 of the publications of the U.S. House of Representatives.  Lots of numbers, yes?  Actually it is just vol 13 of the U.S. census report for 1880, the Statistical Report of the Railroads in the United States, by Armin E. Shuman (“Expert”).  It si a big books in a series of big books, running 862 pages and is mostly just (beautiful) numbers.  It is remarkable, really, that these folks had such extraordinary control over this amount of data–not only were they collecting it, but analyzing it as well, and doing it before the big breakthroughs that would come in the next census with the Hollerith machines. 

    Ballistics 348 The table is a summary of accidents reported by all railroads in the United States for the year 1880.  For *one* year, not the decade of the 1870’s.  The short story is that 2,541 people were killed in/on/by trains, with 5,674 injured.  Of the “killed” number, 61 were passengers who were killed “from causes beyond their control”, and 62 were killed “from their own carelessness”.  The numbers get much bigger because of the number of employees killed on  the job, more than 900 in the one year alone.  The total number of passengers carried for the year was 269,000,000.  I cannot find the number o total miles traveled.

    I made a quick check on the Bureau of transportation Statistics website just to see what kind of similarities there might be in these numbers. It turns out that the gross numbers were sort of similar–there were 658,000,.000 passengers carried domestically by American carriers in 2006.  There was a tremendous difference in deaths, though: 47 people were killed as a result of air travel that year, compared with the 2,541 by trains in 1880.  Two orders of magnitude, about, with each person traveling a great distance in the air (averaging about 1000 miles) than by rail (whose numbers I could not find quickly).  It is kind of interesting, though, that when you consider passengers as a lone stat in 1880 that the numbers get very close to 2006. 

    Working on the railroads in 1880 was tough and dangerous–more dangerous than I had known.  And I can pretty well  guess that there were no Thanksgiving turkeys being delivered to anyone’s family if Father happened to get cut in half by the South Manchester Railroad Company.  Certainly no turkey would come the year after.


  • Bags, and Lots of Them: U.S. Navy Inspection, San Diego, 1935

    JF Ptak Science Books   Post 414

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    This wonderful image is found in California and the Navy, a souvenir of America’s Exposition in San Diego for 1935.  I liked the long lines of white and the displayed sea bags.  As it turns out there are only about 200 sailors in this picture, the near horizon then being about, say, 1800 feet in the distance.  The bags, I must say, are lined up remarkably straight.

    The U.S. Naval Base in San Diego–the largest in the country nowadays–would be exceptionally busy in just eight short years from the time of this picture.  By the end of the war, in addition to all of the servicing of the American naval needs, this naval base serviced something on the order of 5,000 ships.  The story of the San Diego Naval Base during WWII was nothing short of remarkable

     

     

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  • A Bad Idea From Start to Finish: Ultra-Lux in Tiger Killing, Denigrating Even a Filthy Sport

    JF Ptak Science Books LLC  Post 413

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    The title of this lithograph–which appeared in the 27 October 1907 issue of The Illustrated London News–is “Tigers Shot While You Wait in Luxury, Ranji’s Latest Wonder”, and described transporting the Club Room into the wild for blood sport.   I don’t think I’ve ever encountered that phrase before, “tigers shot while you wait in luxury”.   The shooting was done from the portable luxo-car that we see in the upper left corner, which would’ve been transported, probably by a team of humans, into the depths of teh jungle, or at least deep enough for a tiger to be enticed in towards the hunting shed (with promises of meat scents and such?)
    The abomination was made for the sporting whims of Prince Ranjinisnhi (“the Jam Saheb of Nawanagar”).  The shed looks to be about 16x8x8 and had a kitchen, drawing room, and “bathroom and lavatory”, all “decorated in the Queen Anne style, with somewhat severe oak paneling on the walls, relieved with ormolu appliques…”, with nothing but the finest decorating everything else.  The boredom for the Prince was further relieved with portholes for shooting whatever, so that there needn’t be any cause for going outside. This is just wrong on every level.

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  • Our Kind of Reader: a Library in the Fields of War, 1918

    JF Ptak Science Books LLC  Post 412

    “Tel fruit porte l’arbe de la guerre.”  Charles the Bold, (“Such are the fruits of war”, observing the town of Montdidier set ablaze by the Burgundians in 1472.

    This photograph, taken near the French town of Montdider in October 1918, reminded me straight away of a photo that my friend Andy Moursund had hanging for many years in his store, the Georgetown Bookshop (for many years one of the most literate, most-intelligently-stocked used/rare bookshops in the DC and Maryland region). Andy’s photo was of the interior of a British library, its roof lost to a Nazi V-2, with stacks of books in a smokey rubble, and with several men standing and reading atop the charred ruins.  His caption for it was “Our Kind of Reader”.  A voracious and terrific reader with tremendous insight, Andy (a Student Nonviolent Coordinating Committee vet (SNCC, perhaps the leading student civil rights organizations in the 1960’s)) really, truly meant and felt the sentiment.  (Or means its and feels it, I should say.)  and here I am surprised to see something similar–let

    0--ebay---dec 5 books185 me just say that images such as these were not very commonly made or published. Different war, same sentiment. 

    This time though the location of the books is outdoors and in France.  the books were looted by the “Huns” as the caption says, and taken from the library at Montdidier.  This is one of the many towns that suffered greatly during the First World War, and especially so during the first Battle of the Somme in 1916, and then again in the battle of Noyan-Mntdidier, in 1918.

    Montdidier is very old and has been deeply scarred by wars over the last 1200 years.  The town’s name comes from the Didier, who as King of the Franks was imprisoned in this community in 774, soon to celebrate the 1,235th anniversary of the event. And on and on.

    I’d be curious to know what was in those piles under the heavy sacking, and how many of those piles there were–we can see the beginning of another just to the left.  I don’t see any thin volumes of whispy poetry or skinny wanting limpnovels. Most of them look pretty stout, three of them together seemingly as big as the soldier’s head.  I am relieved to see that the books were raised off the ground on their pallets–there was a war going on and all of that, but someone took the time and effort to get the books up and off of the ground.  That’s my kind of reader.

    I should point out that this was a News Service Photograph, this one supplied by Underwood & Underwood.  The photo would be sent to newspapers/magazines that requested, say, a photo of a soldier reading; U&U would send it on along for publication, along with mandatory caption. 


  • One of the Worst Santa Claus Titles, Ever: St. Nick & Eraserhead.

    JF Ptak Science Books   Post 411

    0--ebay---dec 5 santa183 In the world of bizarrely entitled written works, this extreme effort, written by E.J. Drew (in 1937)   is a prime, glowing, poster-boarded champion.  When you throw Mr. Claus into the mix of bizarre, naive surreal and badly-titled Things Which Have Been Written by Humans, greatness is achieved.  Great badness–even after reading this, um, this written thing (and I’m not sure what category this might occupy but I am sure that whatever it was intended to be written as was written with words, and that’s about it, a Word Written Book, so to speak) I am not sure what it is about. 

    It was a “story written for children”, and such an un-tender Santa-related bad-inducement should certainly never find its way into any hands measuring less than four inches wide; or for that matter, more than four inches wide.

    But getting back to the “about” part–I really can’t tell.  Suffice to say that it involves some bad stories about being in the Dust Bowl, and about children so poor that they were FORGOTTEN by Santa. Then somehow Santa is beaten to a pulp by bad boys, rescued by newspaper boys (the “Goodfellows”), some other stuff, and then everyone winds up being judged by St. Peter as to where they would spend eternity. Santa replaces St. Pete, and then sends people like John Dillinger to the Bad Place. 

    David lynch
    Well.  If there is a moral in here I cannot find it; I can’t figure out the title, either.  The Goodfellows were good and weren’t “Goodfellas”, and the hanging and stopping I just don’t know.  The whole thing is a little disturbing, sort of like the feeling you get when you get your *first* disturbing feelings seeing David Lynch’s twisted/broken Eraserhead.  Pound-for-pound, Drew’s sweaty and nightmarish thing is as unpretty as Lynch’s third-worst. 

    As if one copy wasn’t enough. you can “get additional copies” of this work if you go back in time seven decades years and order them from E.J. Drew, 4034 West Warren Avenue, Detroit, Michigan. No price was listed.

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  • Found Art: Naive, Never-Fractal Mathematical Art 1810 and a Dip into Steve Reich’s “Come Out”

      JF Ptak Science Books  Post 410

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    Perhaps the most exquisite art for me is that which is most unexpected, finding beauty without preconception, without warning; and sometimes, finding art without the reason to make it so.  And sometimes it is just the innate design, spacing, placing of elements in something that makes it beautiful, the use of unused, empty space establishing the elements of micro-perfections, the punctuations of the flow of visual chance. 

    “Additions of Money”, a page from a primer or mathematics workbook kept by a later-aged child in Pennsylvania in 1810 is filled with such found moments.  The columns of numbers are just gorgeous, and the empty spaces – gauzy with the iron from the ink that has eaten its way halfway through the paper from the other side – provide just enough found geometry to suggest mystery and depth in blank space.  Simple. Elegant. Unexpected. Beautiful.

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    Perhaps it is the aspect of self-non-similarity that is so appealing; perhaps for the fond naive art it is the rejection of sameness, of everything that something like mathematical/fractal art is not.  (A fractal just for the record is a geometric shape that can be split into  parts that is a smaller copy of the preceding whole.)
    These are images that stochastic synthesis of fractal noises is not: it is not the Peano curve, or Sierpinski gasket, or Hilbert curve, or Mandelbrot set, or Hausdorf domain, and on and on.  Perhaps it is the opposite of these things. 

    And this brings me to Steve Reich’s “Come Out” and a question:  is this music fractal? (Or Arnold Schoenberg for that matter?)  There is a panoply of repeated, self-repeating themes through the work of Reich, blending themselves into magnificent compositions.  But I wonder about what “Come Out’, an early work by Reich, is in the same category.  This composition simply uses the words “come out to show dem” (“I had to, like, open the bruise up and let some of the bruise blood come out to show them” ) in not-so-simple ways, repeating the phrase thousands of times, in the same time, but at different times, like a Zeno’s paradox of music, finding the cleverly hidden beauty in a simple phrase.  And precisely the opposite of our naive surreal mathematical art.

     

     

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  • Meekness as a Quality of Woman, 1685: on Patriarchy and the Enslavement and Subjugation of Women

    JF Ptak Science Books LLC  Post 409

    “‘Love is strong as death,” and so is the obedience and reverence paid to the ashes of the dead, ruling husband”

    The Ladies Calling, in Two Parts by the Author of The Whole Duty of Man, The Causes of the Decay of Christian Piety, and The Gentlemans Calling, by Richard Allestree, printed in Oxford in its popular eight impression in 1685, was hardly a novel or unique approach to the coaching of the supplicating and correct behavior of women.

    Its eight printings in a dozen years (assuming that the print run was at least largish, this would qualify as a best-seller in today’s market) was a testament to its somewhat mirror-like expectation of the social visions of the time, also making it hardly alone in its challenges to the neo-individuality of the female sex. It was pretty much what was to be expected, a “normal” vision of the actions of women, including as ever the not-so-faint aroma of the codification of sexuality, or at least the value of women as sexual objects.  (It is true that well-married women did have a sort of power through the husband, but if the promise of children was broken or if there was something not quite right in the private life, the wife could be gotten rid of very easily, and her power by association would be gone)

    The titles of its eight chapters pretty much tell the whole story:   Of Modesty,  Of Meekness, Of Compassion, Of Affability, Of Piety, Of Virgins, Of Wives.Of Widows. The message, or, rather, the demand:  be compassionately meek, religious and observant, happy, virginal until wifely and then wifely until death, and then acting properly after the death of that  which gave you nearly purpose. Be true and faithful and genuflectorial and obedient to your god and husband, and not necessarily in that order at all times.  Ideally, the woman would obey the callings and creations of the church representing the whims of the creator; though there were some times when the husband would be needed for elucidation and guidance to even the teachings/programs of the religious authority.  The creation of patriarchy had been at least a 2000-year-old process in the 17th century, and this book was yet another in the subtle changes to the regulation of that wall. 

    The following two sections are pulled from the chapter on Meekness (and illustrated by an architect of Catch-22edness, M.C. Escher, on the inescapable logic of cohesive subjugation):

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    “1. In the next place we may rank Meekness as a necessary feminine Vertu; this even nature seems to teach, which abhors monstrosities and disproportions, and therefore having allotted to women a more smooth and soft composition of body, infers thereby her intention, that the mind should correspond with it. For tho the adulterations of art, can represent in the same Face beauty in one position, and deformity in another, yet nature is more sincere, and never meant a serene and clear forhead, should be the frontispiece to a cloudy tempestuous heart. ‘Tis therefore to be wisht they would take the admonition, and whilst they consult their glasses, whether to applaud or improve their outward form, they would cast one look inwards, and examine what symmetry is there held with a fair outside; whether any storm of passion darken and overcast their interior beauty, and use at least an equal dilligence to rescu that; as they would to clear their face from any stain or blemish.”

    “3. And first for the Meekness of the Understanding, it consists in a
    pliableness to conviction, and is directly opposite to that sullen
    adherence observable in too many; who judg of tenets not by their
    conformity to truth and reason, but to their prepossessions and
    tenaciously retain’d opinions, only because they (or some in whom they
    confide) have once own’d them; and certainly such a temper is of all
    others the most obstructive to Wisdom.”

    The following is a Wordle Word Map of Meekness, featuring a vaguely three-dimensional 5,000-word
    word map of the contents, the words weighted, the most often occurring
    words appearing largest, and so on.  I’m not sure exactly what I’m learning from it, or learning more than I’d learn from reading two paragraphs of the chapter. 

    Wordle--meekness 5000

    Some further quotes from this work, including the seven remaining chapters:

    Of Modesty
    “That the Obligation to Moral & Christian Vertues is in it self universal, and not confin’d to any Sex or Person, is not to be denied: yet, as in human Constitutions there are often Precepts, which (tho not exclusive of any, do yet) more peculiarly and eminently level at som particular rank or order of Men; so in the laws of God and Nature, there appears the like distinction. That all-wise Creator, who hath put peculiar proprieties and inclinations into his Creatures, hath accordingly design’d their actuating and improving them: and altho in mankind, which differs nor in species but in gender, the variety may seem less; yet there is still enough to found som diversity, either in the kind or degree of duty”

    Of Compassion
    “But this is yet more unnatural in the female Sex, which being of softer mold, is more pliant and yielding to the impressions of pitty, and by the strength of fancy redoubles the horror of any sad object; yea so remarkable is this tenderness, that God, when he would most magnify his own compassion, illustrates it by that of women, as the highest human instance. Indeed such a propension have women to commiseration, that they are usually taxed with an excess in it; so that any imprudent lenity is Proverbially called, A womanish Pitty, and therefore it may be thought an impertinence to exhort them to that which they can scarce avoid.”

    Of Affability
    “But hitherto we consider Affability only in its ethnic dress, as it is a human ornament; ’twill appear yet more enamoring upon a second view, when we look on it as bearing the impress of the Sanctuary, as a divine Vertu. And that it is capable of being so, we have the autority of St. Paul, who inserts it in the number of those Christian Graces which he recommends to his Roman Proselites; condescend to them of low estate, Rom. 12. 16. and that we may the better discern its valu, ’tis observable that he links it with the most eminent Vertu of Humility; for it immediatly follows his Precept of be not high minded. Indeed ’tis not only joined with it as a Friend or Allie, but derived from it as its stock and Principle: and certainly a more divine extraction it cannot have, Humility being the Alpha and Omega of Vertues, that which laies the foundation, (without which the most towring Structure will but crush it self with its own weight) and that which perfects and consummates the building also, secures and crowns all other Graces; which when they are most verdant and flourishing, are like Jonas his gourd, that may afford some shadow and refreshment for a while, but are apt to breed that worm which will destroy them. When once they are smitten with Pride, they instantly fade and wither; so necessary is humility both for the acquiring and conserving, all that is good in us.”

    Of Piety
    “Piety is taken for our more immediate entercourse with God, in things purely divine, as Adorations, Praiers, Aspirations, and all pantings and breathings of the soul after him; and in this notion ’tis more particularly called Devotion. And this is comprehended it: the other, as a part in the whole; nay indeed, as an effect in its cause; for where Piety has not first formed and modelled the soul, there can be no true Devotion.”

    Of Virgins
    “Virginity is first in order of time, and if we wil take S. Pauls judgment in respect of excellence also, 1 Cor. 7. And indeed she that preserves her self in that state upon the account he mentions v. 33. that she may care for the things that are of the Lord, that she may be holy both in body and in Spirit, deserves a great deal of veneration, as making one of the nearest approaches to the Angelical State, And accordingly in the primitive time, such a Virginity was had in a singular estimation, and by the assignment of the Schoolmen, hath a particular coronet of glory belonging to it.”

    Of Wives
    “In that of a Wife her duty has several aspects, as it relates, first to his Person, secondly to his Reputation, thirdly to his Fortune.”

    Of Widowhood: 
    “THE next state which can succeed to that of Marriage is Widowhood, which tho it supersedes those duties which were terminated merely in the person of the husband, yet it endears those which may be paid to his ashes. Love is strong as death.”

    “Love is strong as death.”  So is obedience, or obedient love, or meekness rapped up in a quilt of obedient love in a field of affable, modest, pious modesty, commanded by the male even in death.

    I said earlier that the idea of patriarchy and the war on gender is a 2500-year-old process.  It is remarkable to think about the advances in equal rights for women in the last 115 years, especially in the light of the introduction of money into the equation.  Within the last 400 years or so the concept of private acummulation of property came along to the not-wealthy classes mostly (perhaps) as the standard practice of the transfer of dowry/property/children from the women to man via marriage. (I say “115” and not “100” years because, at Tahakopa, on 28 November 1893, New Zealand became the first country to grant voting rights to women on a national basis–hats off again to NZ for being first again in so many important categories.) That said, and with the extraordinary weight of money, the subjugation part was very well entrenched until relatively recent times.  As a matter of fact in the history of patriarchy this would represent only about 3% of the timeline of subjugation–1.5% if you were being honest about it. 

    So in the history of the enslavement of women,  and of all the billions of lives of women that have been lived during that time over 25 centuries, it is only within the lifetimes of living grandmothers that the true superior progress in achieving equality of rights for the sexes has been made.  If that sort of realization doesn’t illuminate the darkly myopic views of people who would want to continue ruling via exploiting differentiation, I don’t know what will.  That for 2500 years something was “normal” and acceptable; and then in the last 115 or so years, it became less so, and now in the last 50 years it is a recognized embarrassment and mistake to anyone with a brain.  Condensing backwards vision like this is an interesting practice, especially when you put it up alongside other, contemporary issues that smack of this sort of discrimination, like California’s Proposition 8.  I just hope that it won’t take a hundred years for the majority of the people living in this country to recognize that we were being stupid.  I trust that New Zealand won’t take nearly this long. 

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  • Skinny III: Skinny Water. An Extremely Thin Shower Apparatus, 1888.

    JF  Ptak Science Books   Post 408
                                                                                                           
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    There’s nothing in this image that doesn’t make sense, right down to the water recycling part (from my read, anyway) and the effort that goes into making the shower happen.  You can work up a sweat while exercising and get rid of it at the same time, saving on laundry–like taking a vertical bath with only tiny water accumulation.  Also the water has been retro-electrified to minimize dripage and to make it “power fall” in a smooth, orderly, canonical fashion, as we see here.  (Just kidding about this last part.)  Seriously, though, this fashionably entrunked (?) man must have been really pumping away to get that much action from that big shower head. 

    The slightly odd thing here is that this image, made for the Illustrirte Zeitung in October 1878, is that plumbing–which had been introduced by this time–was not a factor here, nor was a shower curtain (which also had made an earlier appearance).  I’m guessing that this cold water shower machine was unusual for being foot powered.  The earlier showering devices, particularly those seen in America, were hand-driven shower benches. 

    The second image has nothing whatsoever to do with the first save that it, too, in its own way, is “skinny”.  The suspended monorail horse powered railway car, seen here in the 1878 September issue of The Scientific American. In its own secret way, it is a splendid idea, meant to pursue it own very heavily programmed way around the street of New York City.   It might have been a smoother ride for the passengers than being pulled over miles of macadamized roadway, and may have been easier for the horse, but it does seem as though there is an awful lot of metal to make these relatively minor advancements worthwhile. 

    Also, it really is a beautifully rendered image.

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