A Daily History of Holes, Dots, Lines, Science, History, Math, Physics, Art, the Unintentional Absurd, Architecture, Maps, Data Visualization, Blank and Missing Things, and so on. |1.6 million words, 7500 images, 4.9 million hits| Press & appearances in The Times, Le Figaro, Mensa, The Economist, The Guardian, Discovery News, Slate, Le Monde, Sci American Blogs, Le Pont, and many other places… 5000+ total posts since 2008.

Category: Photography

  • Mundane Images of Necessities of War–Found Bullets and the Battle of Pots and Pans

    JF Ptak Science Books   Post 1201

    A little went a long way, sometimes, in collecting the ends and bits of a campaign or a retiring column or from the attics and basements of village houses, or in scrapyards or dustbins or abandoned yards and buildings. Scrap has sometimes contributed greatly to major war efforts; and sometimes it has contributed just a few hundred rounds of ammunition, gathered from the sick or dying or forces on the move, that have told the tale of change in battle.  When you can only carry so much in a campaign where shooting can be an endless process, you can by definition never really carry enough bullets when you’re already carrying enough of everything else.

    [These images may be purchased from our blog bookstore here.]

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    On the other side of the line, the Germans were tyrying to utilize every bit possible as well–here’s an example of a round-up of metal goods taken from the kitchens of a small town (looking ,mostlly like mortar and pestel sets).  In towns throughout France, on the other hand, church bells were collected and stored away, hidden from possibel capture and melting by German troops. 

    WWI--raid on pots and pans694

     

    00-blog-Oct 25 salvage922:Now for an example from WWII: Salvage (1943) is just simply brilliant!  It is a superb  design, getting its inelegant point elegantly across to the reader, making the collecting of junk  a bona fide war effort, triumphant, superior; it delivers the message gorgeously.  Who wouldn’t want to rush out and look for some metal scrap and bits and grow a neighborhood junk yard so that the community could build a tank?  Certainly these two boys–under the watchful guidance of a smiling cop in a black tie–couldn’t resist, and from the looks of the progress billboard behind them, nor could anybody else in the neighborhood, as the community collected enough metal junk for 14 tanks.  (Or at least pieces and chunks for fourteen tanks.)

    The community was Coatesville, Pennsylvania, and they certainly did their collecting-best.  The two photos below show (top) the scrap yard after two days of collecting, and (bottom) the end of the campaign two months latter.

    “One pound of fat contained enough glycerin to make a pound of black powder, enough for six 75-mm shells. Twenty three hundred old nylon stockings contained enough nylon to make one parachute.
    Thirty thousand razor blades contained enough steel to make fifty 30-caliber machine guns.”   (Lingeman, Richard R. Don t You Know There Is a War On? The American Home Front, 1941-1945. New York: G.P. Putnam’s Sons 1970, 254-55).  When you have an entire town doing this, you can build tanks; when you have millions of people throwing together to collect this “junk”, then you get part of a war effort.  It is also part of a giant propaganda hearts/minds machine, especially for the U.S., which was (and I use this word with some hesitation) cushioned from the effects of the war by two oceans–it reminded people who hadn’t contributed a life to the war that there was actually something tangible going on, and that they could do something to help.  It kept peoples’ minds in the game.  Rubber was another big concern, as was silk (the controlling exporter of both coming largely from overseas, and in the case of silk, the exporter was Japan.)  Of course there was the introduction of synthetics for both silk and rubber, but the point in fact was that there was indeed a shortage, and the donated and salvaged stuff was necessary. 

    Here’s a beginning picture for the burgeoning community scrapyard:                                                                                                                                              00-blog-Oct 25 salvage before923

    Some interesting works relating to salvage drives:

    Barringer, Edwin C. The Story of Scrap. Washington D.C:Institute of Scrap Iron & Steel Inc., revised edition, 1954.

    Cohen, Stan. V for Victory: America’s Home Front During World War II. Missoula Montana: Pictorial Histories Publishing Co., Inc., 1991.

    And afterwards:

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    Hoopes, Roy. Americans Remember the Home Front: An Oral Narrative. New York: Hawthorn Books, 1977.

    Lingeman, Richard R. Don t You Know There Is a War On? The American Home Front, 1941-1945. New York: G.P. Putnam’s Sons, 1970.

    O’Neill, William L. A Democracy at War: America’s Fight at Home and Abroad in World War II. New York: The Free Press, 1993.

    And here’s one I’d like to see (the cover of):

    Wolf, Howard. The Story of Scrap Rubber. Akron, Ohio: A.
    Schulman, Inc., 1943.

     

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  • Odd Person Out–Large Crowds and the Singular Person in Photographs

    JF Ptak Science Books  Post 1194

    [These images are all available for purchase from our blog bookstore, here.]

    (1) The Composition of Relief and Happiness–Minus One.  Free France, 1918.

    This remarkable photograph shows the joy and relief of the townspeople of Saudemont, France (20 kilometers south-east of Arras), after just having been freed from German occupation after four years of captivity. 

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    Saudemont had evidently suffered greatly over the four years, and seemed as though the population of the entire town was going ot be removed along with the Germans–but they weren’t, and teh town was simply abandoned, found and recaptured by these Canadian forces.

    The images of overwhelming joy are (almost) everywhere:

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    Except of course for the man at the fulcrum of the image (and the woman behind him), who remained, well, stolid:

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    But so far as everyone else is concerned:

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    (2) In this second photograph, taken of American troops at a ceremony at the cemetery of St. Marie, Havre, France in November 1918, the massive crowd (the largest funeral service held in France) is almost entirely focused on the proceedings–except this one serviceman in front, lathced onto the photographer.

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    (3)

    Hatsdetail Another extraordinary image of pressed-together humans, of a human sea, a carpet of hatted men.  And believe me, every person in this image of (I’d say) approximately 5000 men has got a hat on.  There are hundreds of folks in the photo who re aware of the photographer and who are looking right at the camera, but there is only *one* person who is lifting his hat to the photographer. 

    Hats


  • Gas Masks and Poison Gas, World War I, 1915

    JF Ptak Science Books   Post 1191

    In the long line of potent and horrible weapons, few are as so superbly bad as chemical and poison gas.

    WWI--gas mask full pg696

    [This image is available for purchase at our blog bookstore, here.]

    The heading of this full-page photo from The Illustrated London News for 18 December 1915 really is quite understated—“remarkable” really doesn’t quite cover it.  First of all, photographs from moving airplanes were not common; secondly, this is one of the earliest images ever made of a poison gas attack in progress, just eight months after the initial use of German poison gas at Ypres (a first-hand account of which can be seen here http://www.firstworldwar.com/diaries/firstgasattack.htm  The experience of poison gas in warfare was still “new”–newer still for the Russians, who were at the receiving end of this unnamed  Eastern Front attack.

    The story on this goes as follows: during the night the German enemy forces crawled with metal and glass canisters of the poison gas to the very front of the Russian lines, or at least to the outer edges of the barbed wire perimeter.  The crawler would retreat, and then the whole of the attacking force would wait until daylight and a favorable wind condition at which time rifelmen would discharge at the canister, a direct hit mixing the contents fo the vials, producing the desired gas.  The wind would then pick up the gas and disperse it, the Germans waiting for the first leg of their attack to take effect on the poor soldiers in the trenches, and then attack once the gas had mostly cleared.

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    And the associated

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    And this solitary figure:

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    The masks devised to deal with the attacks were soemtimes effective, sometimes not–actually, they were occasionally enhancers.  The earliest masks were creepy, unworldly, Coraline-like burlap-and-button-faced affairs–I’d hardly wnt to imagine seeing thousnads of these guys come running up to me with rifles and grenades in their hands attacking my position. 

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  • Women in World War I–Rare Photographs, 1918

    JF Ptak Science Books  Post 1190

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    [All of the images below are available for purchase; see our blog bookstore for details.]

    This is another in a series of posts on images from my News Service Photographs of WWI collection.  All thousand or so of them were made in the last half of 1918 (save for a very few made in 1919) , in the last months of the grueling conflict, and were intended to be used by newspaper and magazines to illustrate stories about the war. An editor would send off a request to one of these agencies for, say, a photograph of marching American nurses, and the agency would send one back (for a fee) along with a caption.   There’s really no way for me to determine if these photos were ever published, and there is never an attribution for the photographer. 

    Most of the images have an accompanying descriptive text–this was to be used by whomever published the photograph, along with the attribution for the source of the photo. 

    In almost every case I supplied a detail of the image, hopefully of something that you’d want to see a detail of. 

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    ORIGINAL Photograph, 1918.  8×6 inches.  Very good condition.  $150

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  • World War I Photographs–German Prisoners, Mass Crowd Scene, 1918

    JF Ptak Science Books

     

    Blogcrowdsphoto_ww1249_2 This image comes from a collection here of First World War news service photographs,  showing German prisoners being readied for transport home, and dated 20 November 1918.  This group had evidently surrendered just before the armistice was signed, and was sent directly and instantly  to a staging area for transport back to the Fatherland.  The way that many newspapers obtained the war images that they published in their papers was via a semi-centralized pool of war images.  The newspaper would request, say, a photo of German prisoners, and would contact one of these photographic agencies—in this particular case, it was the Central News Photo Service of 26-28 Beaver Street, NYC—and purchase the rights for republication, and then print it in the newspaper along with the story.  In almost every case the photo would be accompanied by a caption mimeographed onto an attached piece of cheap paper, and in this case it reads:  “Waiting to Return Home/a photo just received showing a batch of enemy troops who surrendered just before the signing of the armistice, joyously discussing the coming of peace and the opportunity of returning home to their families.”
    Blogcrowdsphoto_ww1_detail_long251I seriously doubt that the copy editor could read the minds of either the photographer or the troops in the photo.  I would imagine that they were definitely joyous about going home ALIVE to their families, but when looking really closely at the picture the thing that seems to dominate the actions of the people is food.  Or cigarettes.  But mostly when looking hard at the faces in the photo, the men just look tired.
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    Looking very closely at these types of images has always been fascinating; look close enough, under high magnification, and the large photo becomes composed of dozens of smaller photos.  The whole is an assemblage of vignettes, each in themselves a work of art.

    Continuing in a more odd tone, I’m also reasonably convinced that after looking at hundreds of faces in a photo like this that you’ll find a picture of yourself.

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    I did.  This section is a 3200 dpi scan of a 15×10 mm section, and I am undoubtedly and unquestionably the bald bearded man (one of the few people in the image without a hat) at center-bottom.

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