JF Ptak Science Books

A Steampunk Clown Robot, Generational Robots, and a Vision of the Future, 1866

JF Ptak Science Books  (Expanding an earlier post, not having previously noticed the robot baby)

Punch, or the London Charivari published this delightful and somewhat prescient illustration  ("Harlequin Aluminum; or, Jack and the Pharaoh's Serpent") in its 27 January 1866 issue.  It is for me an excellent, sort-of early depiction of a steam-man, a steampunk man, a steam-driven clown robot person, that is very deeply and frequently hinged, with smoke belching from a curved smokestack coming from the back of its head, and controlling its own destiny enough so that it is actually attacking and blowing up a steam locomotive.

And that's what this image is all about--in the age of steam, the future looks more so; that, and given its extraordinarily frequent use (16 times) in the very short text, things in the future are going to get very "scientific¹".  

And what the (aluminum²) robot seems to be doing with its scientific poker is exploding a scientific locomotive, for reasons unknown, except that the application of the poker was very successful, if that is the proper word to describe this action--it does act to control its steam technology is busting the new technologies of the era, a rub and at the same time a statement of hope or expectation in a high-Victorian manner, a rationalism of all things via technological means.  And at this time, in the mid-1860's, the new wellspring of hope was being found in electricity-based solutions--moving away from the pervasive steam-driven technologies--though as the cartoon suggests those expectations might be too soon, too fast and too deeply placed.  After all, these things are being exploded by a "scientific clown" with a "scientific poker"--and that clown is being driven by steam. 

Further, the steamrobot clown is pulling a scientific baby from a mortar--this is something that is unique to my experience, a robot generating a newer, younger, baby-robot in some undescribed manner. This is a generational moment among robots and something that is certainly not common in the history of early robots.  

In the background-right we see a string of "scientific fairies" suspended by electricity, and beyond them, center-rear, is a comedian reading from Joe Miller's joke book (of "scientific puns")  into a telephone-like device, with an audience to his mirth sitting and listening on the other end of the line--and this still 11 years away from the invention of the telephone. And so on.  It is a marvelous piece of work, especially considering what was probably an ephemeral status.  

(Also, the "Pharaoh's Serpent" part of the title of the illustration refers to a three-year-old phrase: "1863   W. Allingham Jrnl. 3 Oct. in H. Tennyson Mem. Tennyson (1897) I. 513   Mrs Cameron showed a small firework toy called ‘Pharaoh's Serpents’, a kind of pastille which when lighted twists about in a wormlike shape"--from the OED.)

Notes:

 

1. It is well-known that William Whewell created the word "scientist" relatively recently, in 1834 (see below). "Scientific" goes back quite a bit further, deep into the 18th c in some uses; farther back in others. 

"Scientist" in the OED: 1834   W. Whewell in Q. Rev. 51 59   Science..loses all traces of unity. A curious illustration of this result may be observed in the want of any name by which we can designate the students of the knowledge of the material world collectively. We are informed that this difficulty was felt very oppressively by the members of the British Association for the Advancement of Science, at their meetings..in the last three summers... Philosophers was felt to be too wide and too lofty a term,..; savans was rather assuming,..; some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that there could be no scruple in making free with this termination when we have such words as sciolist, economist, and atheist—but this was not generally palatable.

1840   W. Whewell Philos. Inductive Sci. I. Introd. p. cxiii,   We need very much a name to describe a cultivator of science in general. I should incline to call him a Scientist. Thus we might say, that as an Artist is a Musician, Painter, or Poet, a Scientist is a Mathematician, Physicist, or Naturalist."

 

2. "Aluminim" is a word created by Humphrey Davy in 1812. 

An Extraterrestrial Society Views the Earth, 1896

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The Munich-based Jugend magazine (1896-1940), founded by Georg Hirth, was host to an entire generation of art nouveau artists, lending its name ("Jugendstihl") to a movement of expression of German Art Nouveau.  In the April 25, 1896 issue we find an unusual image of extraterrestrial life within our own solar system, drawn by the artist and illustrator Arpad Schmidhammer. It depicts life on a  planet beyond Saturn--complex life, complete with what we'd imagine automobiles of the future from 1935 to look like, as well as cities, and large crowds very engaged in receiving an object from a world alien to their's.  The commotion seems to be a space-shell of some sort, and of course it carries issues of Jugend magazine.  There is all manner of action around the magazine in the foreground, and slightly beyond that we see another large group of people crowding around a telescope, hoping for a view of the Earth, while another dense crowd farther in the background swells around another Earth-intent telescope.  It is intended as a humorous scene, no doubt, but the fact is that there weren't all that many scenes of alien life forms taking an interest in a floating Earth in the background.  Perhaps Wilhelm Roentgen's newly-discovered X-rays helped an image like this along with the idea of entirely unseen worlds made visible...

[This image found thanks to an image-share by the Ephemera Society USA. Image Source: University of Missouri libraries, http://muspeccoll.tumblr.com/post/144371190257/jugend-1896-no-17-katya-s-jugend-mu-nchen utm_content=buffera68da&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer]

And just for the record, "extraterrestrial" finds life in English as far back as 1868: 

1868   W. Lockyer & J. N. Lockyer tr. A. Guillemin Heavens (ed. 3) 188   Bodies situated in the extra-terrestrial regions.

1882   Nature 21 Dec. 173/2   The oblique direction of the meteor..is another evidence of its extra-terrestrial origin.

[Oxford English Dictionary]

 

The detail from the busy upper-left corner:

"A Most Delicate Monster"--the "Alpha" Robot of 1932

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I bumped into this robot in the pages of Illustrated London News for August 27, 1932. The idea of mechanical people had been around at least since the early 19th century, and by the time this one appeared i its gleaming glory in 1932, the word "robot" was around for a dozen years, invented in 1920 by Karel Capek for his book on the future called R.U.R.  Actually the human-like forms created by Capek in this early scifi work were biotech, and not fully mechanized.) The form of the robot stretches back hundreds of years, in a way--if not the exactly the idea of a robot, but at least with the appearance of one. "Alpha" was anthropomorphic, but hardly what you'd call bio-mechanical, or even pretending to be so. It was created by Harry May of London, and was evidently 6'4" tall and weighed a ton (or two, perhaps), and was supposed to entertain and answer questions from the crowd when unveiled at the London Radio Exhibition of 1932.  Mr. May kept the details of his creation secret, though no doubt the robot was operated offstage by confederates, the voice supplied by wireless. Still, Alpha was a major attraction, and kept people entertained, if not confused.  In any event, it looked frightening as a vision of a possible 1930's future-vision.  

 

 

[Source: http://davidbuckley.net/DB/HistoryMakers/Alpha1932.htm  This is a very interesting blog by David Buckley, including a long chronological section on the developments of robots--Alpha appears on this list, which includes six or so good links for contemporary stories about the robot's appearance.]

Socialist Utopianopolis vs. Everyday Free Marketry Vision of Post-WWII Australia

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This cover design decorates a pamphlet from the Australian Constitutional League of Sydney, written towards the end of WWII, and visualizes a post-war Australia in terms of free enterprise  vs. socialism.  Needless to say the pamphlet took a dim view of the prospects for a Socialist Australia.  From my brief read of the little pamphlet, the Utopianopolis on the "myth" side of the future belongs to what the Socialists could never deliver; on the right side, the "reality" part, as socialism "promises everything" but "fails in everything".

 

Tremendous Montage of Early Airships

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I stumbled upont his fantastic illustration depicting nearly four dozen early balloons, many of which are a mystery to me. The image comes from the Library of Congress site, though the origin, title, and even the date of the engraving are unknown. It is known as "Balloons, airships, and other flying machines designed with some form of propulsion" though the title was bestowed by the library--one thing for sure is that it was engraved by "E. Morieu, and was printed between 1880-1905.   

Source: Library of Congress [https://catalog.loc.gov/vwebv/search?searchCode=STNO&searchArg=2002722676&searchType=1&recCount=10]

Somebody at the LC identified some of the airships, as follows: 

•  "Single sheet with 45 numbered illustrations; lacking identification key.-  no. 18 shows a collapsible Montgolfier balloon from 1784; no. 23 is the design for a glider balloon as described in "Reflections on the aerostatic sphere," 1783 (September); no. 24 depicts Jean-Charles (l'avocat) Thilorier's plan for transporting troops across the English Channel to invade England, ca. 1800; and no. 32 shows the dirigible balloon glider used by Charles Guillé for an attempted ascension in Paris, November 13, 1814."
• Also, I know for sure that the last figure, #45, at bottom right, is a steam-powered balloon railway...

There's another fine image of fantastical airships below, also from the LC, and published in Puck, volume 59, no. 1509 (1906 January 31)--this shows the airships of the near future putting the Panama Canal out of business:

Source: Library of Congress: https://www.loc.gov/resource/ppmsca.26030/?loclr=pin

 

A Paper Internet, 1917 (and 1932, and 1945)

JF Ptak Science Books

Before the internet the idea to the idea of the internet existed to some extent in the head of a great unsung hero of the U.S. WWII figure, Vannevar Bush, a person who may well have invented the notion of hypertext.  Vannevar (pronounced “van ee var”) was a flinty no-nonsense New Englander who was an organizational and mechanical genius who as a professor at MIT developed a remarkable analog computer that greatly advance computation capacities for solving differential equations.  This was in the 1930’s, and even after creating an improved electromechanical version of the machine still chose the wrong way to go in the soon-to-materialize digital computer revolution. During WWII Bush was one of the most important Americans in the war effort, overseeing the entire scientific effort of the U.S.—an enormous effort dispatched beautifully (and successfully).  His importance in this regard is difficult to overstate. He also published a short paper on the hypertext idea in an article in The Atlantic in 1945.

 The article, “As We May Think”, outlined his idea for a device he called the MEMEX (“memory” and  “index”), which compressed and organized all that its user could remember and whatever information would be obtained in the future via electromechanical apparatuses, and available with associative tracking between the microtext frames.  So all manner of book and papers and reports and newspapers and images would be microphotographed and stored in a beautifully-indexed mechanical retrieval system where it would live with the information of others.  There was also the possibility of real-time textual additions to whatever it was that was retrieved, the genetic precursor of hypertext.  Bush’s thinking has been deeply recognized (and also by the creators of the internet) as the intellectual grandparent of the modern internet. 

This brings me to the image leading this note--the index card train. It appears in the pages of Popular Mechanics for January 1917, and was certainly a step forward in organizing finger-tip data--it just wasn't quite a database, or Google, though the idea was present, after a fashion. 

And then I had a mostly-comical response to the image that I found in the pages of the March 1932 issue of Popular Mechanics--it was actually on the back of the page that I was looking for (on passenger rocket travel across the Atlantic).  With Bush in mind, this image of a man reading a miniaturized book using the system of Rear Admiral Bradley A. Fiske (1854-1942), and the photo shows the reader with the equivalent of a 100,000-word novel.  The article only mentions this one book, and doesn't venture out into imagining anyone carrying a library with them, nor does it mention searches of organizing systems, but it does bring to bear the possible power of having access to a vast amount of info held on a strip of paper about the size of a newspaper column.  And for 1932, that was a strong idea.

 

Airplanes of the Future (1942)

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This was a bit of a speculative peep into the future by someone who actually may have been able to see into it--Glenn Martin was on the scene immediately following the Wright Brothers, and would go on to create an aviation company that would become Martin Marietta, and then Lockheed Martin.  The article appeared in the September 1942 issue of Popular Mechanics.  The plane was a beast, though a pretty one--it was also very restrictive, carrying 100 passengers in spite of its size.  Packing people on wasn't the priority at this point (especially at a conceived round-trip ticket of $400 to Europe, real money in those days)--luxury was. When you look at the Bureau of Labor Statistics inflation calculator for that $400, it turns into about $6,000, which is something you might pay for your first-class accommodation to Europe, except with this plane you get a shower or bath, a lounge car, a ping pong table, and a LOT of leg room.  

Steam-Punk Tee-Shirt Rocket Ship Pilots (1932)

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This creative vision of the future appears in Popular Mechanics (May 1932) and while picturing zeppelin-like space ships with stubby retractable wings traveling at 15,000 mph, it also depicts pilots in a very informal attitude of dress...they're also in a relatively cavernous command center with big gleaming instruments, including a very large compass and a very impressive graphical printout of some sort.  Anyway it looks like a lot of big and heavy stuff in a big and bulky command center, which means the ship would've been bigger and bulkier, and who knows what was going to get it to the desired altitude of 600 miles for it to make its 15-minute Paris-Chicago flight.  I think the sleeveless underwear deserved an explanation, but it found none.  

 

 

Supermegalopolis of the Year 4307

JF Ptak Science Books   Post 2606

A wonderful series of images appeared in the work of Darran Anderson on his Imaginary Cities (https://twitter.com/Oniropolis) contribution on Twitter. He shared several images by the great Winsor McCay illustrating humorous/satirical/speculative sci-fi/fantasy pieces by John Kendrick Bangs (1862-1922) on what the future might be, publishing them in the New York Herald in addition (at least) the Los Angeles Herald in 1906.  One of the stories  that I found most intriguing was on a supermegalopolis called Philyorgo--the vision of it being made possible via the invention of a fantastical instrument called the Spectrophone. It enabled the viewer to see (and hear!) into the future. In this installment the narrator tells his audience about an enormous city of the year 4307 called Polyorgo. It is basically a city comprising the cities of Washington DC, Chicago, New York, and Philadelphia, and all the little cities in-between, all rising in a neat 30-strata rectangle 1,600 feet tall and 238 miles long (which doesn't quite get to Chicago, but no matter. It is the imagery that matters, not the math [you can't spell "matter" without M A T, but...]).  

 

From the Los Angeles Herald: "At this point," cried the megaphone bred pilot, "we see the southern exposure of the city of Philyorgo, the commercial capital of the universe. It is 238 miles in length, extending from what was once the city of New York on the north to the ancient city of Washington on the south, and from base to sky line runs sixteen thousand feet above the level of the sea.

"As you are aware, It is the greatest commercial aggregation in the universe, having a greater population than Mars, Saturn, the Great Dipper and Europe combined, and is the result of the annexation by the city of Chicago of New York, Philadelphia. Washington and other smaller cities lying between. It consists of thirty different strata, including basement and roof. Its resemblance to the skyscraper of other times being due to the superimposition of city upon city, until the final plateau-like sky line was reached, upon which dwell the workers who during working hours go below into the various underlying sections to which their business calls them."

"The various floors are connected from basement to roof by fast flying elevators, which daily carry the public to and from business at lightning speed. In the basement are the furnaces and dynamos by which the whole city is heated and by which the motive power for the rapid transit facilities of Philyorgo is supplied. The first floor above the basement contains all tho longitudinal rapid transit walks, moving without cessation around the city day and night at rates of speed varying from four to five hundred miles an hour. These lines of movable walks are arranged in concentric parabolic circles, so that a traveler wishing to proceed at the greatest rate of speed by stepping briskly from the fixed and Immovable walk on the outside across the Intervening circle toward the rapidly moving innermost platform may with perfect safety board the section that is traveling with the greatest velocity. By this means a wayfarer in Phllyorgo may go from one end of the city to the other in a trifle over two hours, finding at intervals of the ordinary city block the express elevators that will take him upward to the stratum he desires to reach." 

The complete Bangs story is here:  California Digital Newspapers Collection  The Los Angeles Herald   Volume 33, Number 155, 4 March 1906 http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=LAH19060304.2.140.29

Sources: 

Imaginary Cities (https://twitter.com/Oniropolis)

A good source for this McCay material is the Norman Rockwell Center: http://www.rockwell-center.org/essays-illustration/the-rising-tide/

The quotation source for the Bangs article:  California Digital Newspapers Collection  The Los Angeles Herald   Volume 33, Number 155, 4 March 1906 http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=LAH19060304.2.140.29

 

Big-Thinking Tech: Creating a Sea of the Sahara

JF Ptak Science Books  Post 2597

It is not often one reads about creating an inland sea with trade routes between "Algeria and French West Africa", It is part of the creation of a vast Saharan sea, half of the size of the Mediterranean.  I read about this version of the plan in an article by G.A. Thompson in an issue of the Scientific American for 1912¹, though as it turns out it was not the first time someone published on this fantastical idea. In this version,  Prof. Etchegoven proposes a 50-mile long canal that would be built from the Mediterranean inland to a suitably low place and them well, the desert would get, well,  filled up.  The reasoning here was to make Africa accessible those with the money to take advantage of the situation, to establish trade routes, make Christianity more available to whomever it might confront,  and also for "enhancing the value as a place for colonization by Europeans". In reviewing the proposal Mr. Thompson didn't see much danger or blowback or environmental issues--it was an outlook that was taken to task about a month later in a review in Nature², which found his critique rather too-rosy.  

In any event there have been plans like this reaching back at least into the late 19th century, a good example being The Flooding of the Sahara: An Account of the Proposed Plan for Opening ... written by Donald Mackenzie and published in 1877³. Another significant proposal was made by Francoise Elie Roudaire (1836-1885) in his "An Inland Sea in Algiers", printed in 1874,m which was an idea he shared with Ferdinand de Lesseps. Actually it was the Roudaire work that seems to have been the basis for some of Jules Verne's last published work, L'Invasion de la Mer (1905) which took place in the 1930's and which made a very similar proposal for the Sahara--except in this version nature intervenes with an enormous earthquake, pretty much accomplishing immediately what it would have taken humans many decades to do.  In any event, this is a good example of the Big Techno Think, though it wasn't necessarily a very good idea.

A Bit on the History of the Future of Sucking--Vacuum Trains (1945)

 JF Ptak Science Books   Post 2590

John B. Prather launched an idea in 1945 for building a high-speed pneumatic passenger/freight train connecting New York City to Philadelphia.  His New York-Philadelphia Vacuum Tunnel, Preliminary Design Features and Economic Analysis was exceptionally hearty. The idea is interesting in a removed, lets-not-do-it-for real-way because, well, it just doesn't seem to make sense in the long run, at least beyond the building of the thing to show that it could be done.  And I don't doubt that could be the case--and I just don't know why it was necessary. 

[If you'd like to own the original report I'm offering for sale on my blog--there seems to be no others available, with no listings in WorldCat. If you're interested see the listing follow this link or go to the general catalog and look up [TRAINS]  The Future of Sucking: Vacuum Express Train, NYC to Philly, 1945.]

Mr. Prather's approach seems to be the work of an engineer, or at least he had some help.  I doubt though that he had any help from a structural engineer or site geologist--his proposal was to build this tunnel 100' down through bedrock when it could be found, a level hundred-feet  below the surface, from NYC to Philadelphia.   The tube would accommodate an aluminum-shelled  400'-long train that would be hauling 350 people and 175 tons of freight at speeds of 400-600+ mph, making the run between the two cities in about 20 minutes.  Not bad.  He figures too that all of the freight could be offloaded in 7.5 minutes.  This would make for  a very busy train, though Prather doesn't tell us how many runs a day it would be making. This was all preliminary.

The 16.2'-wide  tunnel would be 456,720 feet long, and would cost $173 million to excavate and $41 million to line with cement--according to the author.  The total cost for the ordeal would be about $334 million and would take 6 years, start to finish--that includes all of the tunneling, which would swallow/excavate/face 300' per day. 

I don't see, really, how this could be so narrow a tunnel--I'm not an engineer but it would seem that wear, heat and the abuse and so on that a massive and dense 400'-long missile going 400+mph would require something that was more than 125% of the width of its trains. 

There is however  precedence for a massive tunnel of something like this size being built in something like this time--the Delaware Aqueduct is 82 miles long and 13 feet wide, and was built during the Second World War (1939-1945) , so, perhaps if enough people and money were thrown at a project like the vacuum tunnel could actually be built (barring geological problems). 

But it would all be worth it:  Prather suggests that the overall revenue from the operation of the train to be $196 million/year with $32 million in yearly operating expenses.  Which means that the whole thing could be paid for in three years or thereabouts.  So if the things was started in 1946, it would all be finished and paid for by 1956.

I've looked at a number of proposals like this over the course of this blog--like almost filling up the Narrows between Staten Island and Manhattan with an airport and seaport, and making a series of transoceanic airports for flights between the continents, and dropping a gigantic shell filled with people from the top/interior of the Eiffel into a narrow hole filled with water, and covering Midtown Manhattan with a rooftop airport, and covering Midtown Manhattan with a glass-ish dome, and so on--and I know that it is good for at least one thing:  superb classroom discussion fodder of why something like this does or doesn't make good physical/economic etc. sense.

History of the Future of Massiveness: Stadium-Seating Skyscrapers, NYC, 1938

Imaginary New York City Landscapes from CON-ED, 1938

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These lovely images are found in a long, shining and slightly darkroom-scented The City of Light, which was a pamphlet made for the Consolidated Edison exhibition at the New York City World's Fair of 1939.  Con Ed I think just wanted to get the point across that they saw into the future and were getting ready for it, NYC being stuffed to the gills with buildings and each window stuffed and outlined in Con Ed-supplied electric light.  The vision is vaguely threatening to me, though, the buildings are drawn in a very odd perspective giving the city a stadium-seating arrangement that is unsettling, like they're part of our robot-overlord future--someone or something must be living in those room filled with Con Ed light, though...

 

 

And here's the version of the map above with text removed--given that it looks as though it is a chromed-over Manhattan of some sort of future:

 

JF Ptak Science Books  Quick Post   

These lovely images are found in a long, shining and slightly darkroom-scented The City of Light, which was a pamphlet made for the Consolidated Edison exhibition at the New York City World's Fair of 1939.  Con Ed I think just wanted to get the point across that they saw into the future and were getting ready for it, NYC being stuffed to the gills with buildings and each window stuffed and outlined in Con Ed-supplied electric light.  The vision is vaguely threatening to me, though, the buildings are drawn in a very odd perspective giving the city a stadium-seating arrangement that is unsettling, like they're part of our robot-overlord future--someone or something must be living in those room filled with Con Ed light, though...

 

 

And here's the version of the map above with text removed--given that it looks as though it is a chromed-over Manhattan of some sort of future:

 

The History of the Future of Massiveness (1907)

JF Ptak Science Books   Post 2580

For many years the steeple of Trinity Church was the tallest object in Manhattan, but by 1907 when the city was entrenched or engulfed in a skyscraper building adventure the future of massiveness and of height knew no bounds, especially when the limits of those boundaries were attainable.  And so this enormous structure grew around the church, with room-enough-for-steeple, built among the clouds.  It turns out that the 284' spire was the tallest thing in Manhattan until 1890, when the World Building was completed (17 years before the publication of this engraving) raising the new highest heights ceiling to 348'.  If you iterated the scale of Trinity (below) to the rest of the imaginary building, the new structure would be about 750' tall--the Metropolitan Life Insurance Company Tower would come close to that in another two years (and be the tallest building in the world until 1913), so the building shown below would have been probably the world's largest in 1907, and easily the most massive.  

 

[Source: Puck magazine, March 6, 1907, wood engraving by Albert Levering]

This reminds me somewhat of an earlier vision of an engulfed Trinity--Thomas Nast's future Manhattan skyline of 1881 for Harpers Weekly, where the church is visible still but crowded out almost entirely by enormous structures which were still/only decades away:

 

[Source: an earlier post on this blog http://longstreet.typepad.com/thesciencebookstore/2009/12/the-history-of-the-future-of-skyscrapers-thomas-nast-1881.html]

The Pre-History of Imaginary Robots: Electric Deer, 1892

JF Ptak Science Books    Post 2566

Rebecca Onion at Slate Vault surfaced this very interesting image of electric breath on her twitter account (@Slate Vault), showing early robotic creatures alive and well and living in the minds of thousands of young kids, placed their partially by stories like this found in the pulpy pages of Frank Tousey's Pluck and Luck in 1892. The image  (from the special collections library at the University of South Florida (here)) shows yet another work of genius/ingenuity by the endlessly adventurous "Jack Wright" a boy inventor, who seemingly went everywhere, did everything, and had the stuff to make it all happen.

I've posted¹ many times on this blog about 19th century imaginary robotics, and had not seen this Wright story and his fabulous "electric deers". 

This Jack Wright adventure was written by "Noname", who turns out to be by Luis Senarens (1863-1939)², a very prolific and early sci-fi writer, a Brooklyn boy, who had been referred to as an American version of Jules Verne.  Senarens wrote beginning in the 1880's and was no doubt much taken by the new applications of electricity, and Senarens applied it quite liberally. In a quick browse, he introduced electricity inventively, sprinkling it liberally over powered machinery and introducing his own electric ocean liners, submarines, sledge boats, canoes, air-schooners, locomotives, balloon ships, torpedo rams, horses, and no doubt much else. I'm glad to have caught up to Mr. Senarens' robots.

 Notes:

1. Just search "robot" in the google search box at upper right.
2. See the Edward T. LeBlanc Memorial Dime Novel Collection for very much expanded info on this and other series:  https://dimenovels.org/Series/734/Show

Bumping Into the Very Early Days of Television--the "Electric Telescope" and "Seeing by Telegraphy", 1880

JF Ptak Science Books   Post 2570

This short notice of work-under-way,  "Seeing by Telegraphy" by William.Edward Ayrton  (1847-1908, electrical engineer, F.R.S., and electrical infrastructure pioneer of Japan and India) and John Perry (M.E., F.R.S.), is one of those fascinating little "pop-ups" that appeared in the preeminent weekly journal Nature on May 13, 1880 (page 31).  Nature of course published quick announcements of breaking scientific research in lengthier articles, and it would also publish short notices of articles appearing in other journals, and also would have shorter notices like the one below.

This is why it is so exciting to just browse/graze in these journals--you never really know what you might find.  This was unexpected, though had it not been for the catching title, I would have no doubt passed it by.  

It turns out that this is a very early rumination on the possibilities of "television", though at this time that name didn't exist, and the people working in the area of transmitting images by wire referred to it  (for example) as "Seeing by Telegraphy" (Henry Middleton, 1880) and "Seeing by Electricity" (J.E.H. Gordon, again in an article in 1880). Earlier still (and perhaps first on the scene) is Adriano de Paivra (1847-1907), who wrote "A Telephonia, a telegraphia, e a telescopia" in 1878, introducing a fantastic and beautifully-named idea of the electric telescope, the telectroscope, or long distance vision by wire.  

 

A longer article on the above appears slightly later in Science, in 1880, the full text available below.

As it turns out, I've read that Perry and Ayrton were influenced/energized by a cartoon of the future of communication that appeared in Punch magazine in the "Almanak" section for 1879.  This was supposed to be an invention named the "Telephonoscope"